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For producers and financiers

The package

Everything a development read needs on one page. The same content is available as plain text at /llms-full.txt, as JSON at /package.json, and as an agent skill at /SKILL.md.

TrailerTreatmentCharactersNotes log

The one-liner

Title
LEOM (also The Year of LEOM)
Format
Feature film. Film 1 of a planned trilogy.
Genre
Science fiction · Adventure · Grounded sci-fi · Sports
Logline
In a golden age with nothing left to need, a young Neolax crew and a burned-out auditor uncover a corporate plot to close space travel to everyone, via a dangerous false flag.
Tone
Grounded adventure with a competence spine. Optimistic in outlook, real stakes; not a utopia.
Positioning
Industrial and engineering culture, garage builders, moto and outdoors and athletics, people who use AI as a tool and are not replaced by it. A world that has solved abundance and found that space is still not for everyone: the growing pains come first, and that is the story.

Comps (tone and price, not plot)

Synopsis

Humanity solved abundance and found peace, and stalled. The gates that remain are technological, and behind the celebrations, someone wants those gates kept shut. LEOM follows a small crew who decide the frontier belongs to everyone, and go get their piece of it: a high-flying, gut-dropping adventure filled with heart, embracing hardship as fuel, a new band of brothers and sisters racing against time to make the world an even better place. Adventure and discovery for all, out amongst the stars.

Method and cost story

Method
Written first. Story bible, treatment, 195-shot storyboard, and animatic came before a frame existed. The trailer's picture is fully generative from the written board (Veo, Kling, Seedance, Runway models via fal.ai), audio captured practically, every frame selected against its drawn board by a person. A live-action shoot with practical stunt rigging was planned and cancelled one day before principal photography when coverage could not bind in time; the method survived the pivot.
Cost
The generative-plus-practical pipeline gives a clear cost per finished minute and a schedule that does not depend on stage days. Practical elements (costume, props, the jetpack, audio) are built; worlds are generated to the board. Costume parts are 3D-printed, which is also the start of the props-become-products lane.
Tier
Positioned for the production tier the competition's production partner names (up to $15M). The method is built to come in under it.

Status

Trailer
Submitted to the Future Vision XPRIZE on August 15, 2026; receipt confirmed.
Treatment
Cover sheet and treatment submitted alongside (public Google Doc).
Screenplay
Film 1 feature screenplay in progress.
Next
Screenplay, official score and track list, a short episode recap, a novel, a sequel treatment.

Rights

Owner
Growth Advisory LLC, Phoenix, Arizona. Original IP.
Contributors
All contributors under work-for-hire terms.
Music
No encumbered music in the cut. The writing playlist on the site is commercial music the story was written to; it is not the film's score.
Generated
Generated assets produced under model terms that permit commercial use; selection and direction by the filmmaker.
Union
No guild signatory status required at submission stage; post-award production would be handled with the producing partner.

Attached

  • Garrett Sullivan: writer, director, producer. Writer first. Open to pairing with an established director if a producing partner wants it; the writing is the thing being protected. Based in Phoenix, Arizona; willing to relocate for development and production.

Seeking

  • Producing and financing partner for Film 1.
  • Cast for the crew leads and the auditor.
  • Brand partners in the moto, outdoor, and gear lanes (integration and co-financing).
  • Composer for the official score.

Audience and brand lanes

  • Builders and engineers: garage, maker, and industrial culture; competence as entertainment.
  • Moto, outdoors, and action-sports audiences: the crew's culture is dirt-bike and backcountry before it is space.
  • Sports audiences: the Neolax is a sport with rules, teams, a pro track, and a kit.
  • Optimistic-future audiences the competition is built around: the future works, and the film argues about who gets to go.
  • Global: a trilingual title treatment, a sport, and visitors from elsewhere travel without translation.

Franchise

  • Trilogy: Film 1 is a complete story with two films planned after.
  • The Neolax: a sport that can be played, watched, and gamed; kit and jetpack as products.
  • A world with a port network: places to return to in sequels, series, and games.
  • Props become products: the costume parts and jetpack are already physical, 3D-printed objects.

World glossary

The Year of LEOM
A planet at peace, mid-celebration; a society in a holding pattern of abundance and anticipation for the stars.
The Quantum Aliens
Non-humanoid visitors who scaled themselves to us and granted lightspeed.
Unfold a black hole
Travel, folded open at will. Lightspeed gets you to port; the fold takes you everywhere else.
Ships and ports
A port network reaching the near stars, built outward from Earth.
The Neolax
The sport of jetpacks and scythe-staffs, played in the air. Jetpacking quidditch, of sorts.
Telepresence booths
Step into a booth, operate off-world.
The Chipheads
The ones who gave the wheel away: the intelligence that withdrew and left people their agency.
The Capital
Where the frontier gets gated.
The Elder's Village
Balance, taught in stillness.
Savage Spacesuits
3D-printed pressure suits, assembled by the costume department.

Contact

Who
Garrett Sullivan, writer, director, producer. Growth Advisory LLC, Phoenix, Arizona.
Email
gbsullivan@mac.com · garrett@growthadvisory.ai